Showing posts with label Temple. Show all posts
Showing posts with label Temple. Show all posts

Uluwatu Temple

 
Uluwatu Temple

Pura Luhur Uluwatu is one of Bali's kayangan jagat (directional temples) and guards Bali from evil spirits from the SW, in which dwell major deities, in Uluwatu's case; Bhatara Rudra, God of the elements and of cosmic force majeures. Bali's most spectacular temples located high on a cliff top at the edge of a plateau 250 feet above the waves of the Indian Ocean. Uluwatu lies at the southern tip of Bali in Badung Regency. Dedicated to the spirits of the sea, the famous Pura Luhur Uluwatu temple is an architectural wonder in black coral rock, beautifully designed with spectacular views. This is a popular place to enjoy the sunset. Famous not only for its unique position, Uluwatu also boasts one of the oldest temples in Bali, Pura Uluwatu. Most of Bali's regencies have Pura Luhur (literally high temples or ascension temples) which become the focus for massive pilgrimages during three or five day odalan anniversaries. The photogenic Tanah Lot and the Bat Cave temple, Goa Lawah, is also Pura Luhur. Not all Pura Luhur are on the coast, however but all have inspiring locations, overlooking large bodies of water.

Pura Uluwatu is located on the cliff top close to the famous surf break on the SW of the Bukit peninsula. Empu Kuturan, a Javanese Hindu priest who built the tiered meru, founded the temple in the 10th century and a shrine here as well as at other key locations longs the Balinese coast. In the 15th Century the great pilgrim priest Dhang Hyang Dwijendra, who established the present form of Hindu-Dharma religion, chose Pura Uluwatu as his last earthly abode: history records that Dwijendra achieved moksa (oneness with the godhead, in a flash of blazing light) while meditating at Uluwatu. The temple is regarded, by Brahman's island wide, as his holy 'tomb'. Legend also tells us that Dwijendra was the architect of the beautiful temple, as well as many other major temples on Bali, Lombok and Sumbawa. In the 17th century Niratha also from Java came to Bali and built temples, adding to Uluwatu.

Behind the main pagoda of Pura Uluwatu's small inner sanctum, a limestone statue of a Brahman priest surveys the Indian Ocean-it is said the statue represents the founding priest Dwijendra. Another shrine within the complex represents the boat on which Dwijendra traveled from, then, Hindu Java. According to legend he arrived at Pura Peti Tenget, north of  Kuta.

Uluwatu Beach is known for its surf and, in nearby hostelries, its full moon rage parties. It rages at the temple too but in an orderly way, thanks to the royal house of Puri Agung Jero Kuta, Denpasar, who are the temple's hereditary pangemong (custodians). Hundreds of nobles from this family, and many 'devotees' (pengayah) and village pemangku priests from nearby hamlets, ensure that every seven months (on Anggar Kasih Medangsya by the Wuku Calendar, to be exact) the festival is run efficiently, and most elegantly. The palace is proud of its ancestral role: it manages the awesome logistics with fitting dignity.

Being a popular surfing spot for the very experienced, Uluwatu offers a wonderful vantage point to view a spectacular sunset. Warungs or small restaurants perched on the cliff offer a comfortable spot to survey the vast Indian Ocean beyond and below the 100-meter-high cliffs with panorama on three sides. Monkeys inhabit the temple and cliff face hoping for a banana or some peanuts from the visitors.

Credit Photo: http://tripomatic.com

Prambanan Temple


Prambanan Temple ( also known as Lorojonggrang Temple ) was located at Bokoharjo Village, Prambanan, East of Yogyakarta. The exact date of when the Lorojonggrang Temple was built was still in argument. However, there are two opinion of who builds the Temple. One opinion stated that there was only one, dynasty, Cailendra Dynasty, before Lorojonggrang Temple was built. The second opinion stated that there were two dynasties, Cailendra and Sanjaya Dynasty. Cailendra Dynasty occupied the Southern part of Central Java, whereas Sanjaya Dynasty occupied the Northern part. Buddhist Temples were found mostly in the Southern part of Central Java, and that the Ciwa Temples (Hindu) were found in Northern part of Central Java.

It seemed that Sanjaya Dynasty existed before the Cailendra Dynasty with the center of authority in South Kedu (around Magelang, North of Yogyakarta ). This statement was based on Canggal Inscription ( 732 A.D. ). The Sanjaya Dynasty was then pushed to the North by the Cailendra Dynasty which arrived around 778 A.D. (Kalasan Inscription). The existence of Sanjaya Dynasty was also mentioned in Balitung inscription (708 A.D.). In that inscription it was stated that whenever a King died, the King became a "Dews" ( God, Devine). Based on the inscription studies, it showed the sequence of Kings in Sanjaya Dynasty as follows :
  • Sanjaya (732 - 760 A.D.)
  • Panangkaran (760 - 780 A.D.)
  • Warak (800 - 819 A.D.)
  • Garung (819 - 838 A.D.)
  • Pikatan (838 - 851 A.D.)
  • Kayuwangi (851 - 882 A.D.)
The Rise of Cailendra Dynasty was inscripted in Kalasan inscription, and was followed by other inscriptions, but the historical sequence was difficult to be followed and still a debate. Some inscriptions stated the possibility that both dynasties built the same holy temples as well ( Kalasan Inscription and short Inscription in Plaosan Temple ). On the short inscription two Kings were mentioned, Rakai Pikatan from Sanjaya Dynasty and Sri Kaluhunan from the Cailendra Dynasty. Casparis identified Sri Kaluhunan as the son of the latest King of Cailendra Dynasty, Samaratungga. According to Karang Tengah Inscription ( 824 A D. ), Samaratungga was also called Pramodawardani. The marriage of King and Queen with different religion ( Buddha and Ciwa/Hindu) seemed to influence the architecture of Prambanan Temple which was built by King Pikatan ( Sanjaya Dynasty ). The top of Prambanan Temple did not have a lingga type ( phallus type) but instead a ratna type ( ratna = diamond) which looked like a stupa.

At this point, the King who ordered the building of Lorojonggrang Temple is not convincing. According to the 856 A.D. inscription ( locality source is unknown, preserved in Jakarta Museum of Art ) stated that King Jatiningrat was replaced by Dyah Lokapala. Darmais and Casparis identified Dyah Lokapala as King Kayuwangi who issued Argapura Inscription ( 863 A.D.) According to Balitung inscription (907 A.D.), Kayuwangi was the King between 851-882 A.D. The King before Kayuwangi era was Rakai Pikatan, and thus be concluded that Jatiningrat was indeed Rakai Pikatan.
The Balitung Inscription also described more detail on the structural arrangement of temples. On the 11 th line of the inscription, it stated that temple buildings were categorized into two kinds: the Ciwagraha (graha = a house) and Ciwalaya. The main temple (Ciwagraha) was built by the King, and smaller and lesser temples Ciwalaya ) were built by ordinary people regardless of social status.
The temples which were built by ordinary people had a row arrangement with similar height and forms. The main temple ( built by the King ) had its own wall, separated from the smaller temples. The main gate had a statue of Dwarapala, and at the east was planted a "Tanjung tree" which was considered sacred, as a way for God to descend to earth. Furthermore the temple complex had an irrigation system and buildings for the priests. When the building of Ciwa Temple was finished, the flow of a river was diverted passing alongside the walls of the main temple, separating the main temple ( Lorojonggrang Temple and the smaller temples.

From the inscriptional readings, it could be concluded that on the year 856 A.D. (the issuance of the inscription), Lorojonggrang Temple Buildings had been finished. It was Rakai Pikatan who built Lorojonggrang Temple. This evidence was shown by Casparis based on the Lorojonggrang inscription. There were 50 stones at Lorojonggrang Temple with inscriptions written in white, black and red color. The name of Rakai Pikatan was found among the inscription, and that the writing style found in Lorojonggrang Temple was similar to that in Plaosan Temple.

A. The Discovery and Restoration of Prambanan Temple

The discovery of Lorojonggrang Temple was reported by C.A. Lons in 1733. The temple was in ruined condition, abandoned among grass and tree vegetation. First effort to reveal the presence of a temple was done in 1885 by cleaning the site from grasses and shrubs followed by grouping the stones. This project was supervised by Yzerman, Groneman and van Erp. The work was continued in 1918.
Grouping and identifying the stones in detail followed by restructuring Ciwa Temple was done by van Erp. In 1937, restoration began under the supervision of Bosch, followed by Stuuerheim, van Ramound and others. The restoration was finished in December 20, 1953. About 240 temples undergone restoration, such as two Apit Temples (restored in 1923), four Kelir Temples, and four Corner Temples (Candi Sudut), two Perwara Temples, two entrance gates, the South Gate and the North Gate. The next restoration used the Government Routine Development Budget. Those restoration included Brahma Temple ( start restoration in 1978 ), Wisnu Temple (start restoration in 1982).

B. Structural Description and Arrangement

The Prambanan Temple is a group of Hindu temples, and was also known as Lorojonggrang Temple. The word Prambanan refers to the name of a District, Prambanan District, whereas Lorojonggrang refers to its actual name.
The temple complex has three concentric square
  • Outer square (222 x 390 meters) surrounded by a 1 meter boundary wall.
  • Middle square (110 x 110 meters) surrounded by a 1 meter boundary wall.
  • Center square (34 x 34 meters) surrounded by a 1 meter boundary wall.
All the three squares have gates to connect the other squares. The outer square do not have temples. Inside the middle square there are 224 Perwara temples which are arranged in 4 rows of temples. The first row consists of 68 temples, followed by the second row (60 temples), the third row (52 temples) and the fourth row (44 temples ). The arrangement of temples is in such a way that shorter temples lies in the outside and getting higher toward the center. 

The earthquake that hit Yogyakarta in 2006 caused a lot of damage to the temple, but do not worry, the damage has now been repaired. If you want to Prambanan temple and you will drive a car or motorcycle, you simply pass the road Solo, from overpass Janti, to the east continues. Then you will see the Prambanan temple on the left before passing the border to Central Java. I hope after the author wrote this articles, you will visit it. I think it is the best recommended for you guys to spend your holiday. Good luck 

Credit Photo:  http://en.wikipedia.org

Badut Tempel (Malang - East Java)

 Badut Tempel

Candi Badut or Badut Temple is located in the middle of a residential area of Karang Besuki village, District of Dau in Malang. It is just 10 meters from the small main street of that area. I didn’t expect it but it just makes this temple unique.
Temple is called candi in Indonesian. Badut means clown. Like me, you must wonder what has this temple to do with it? No, this temple is not funny at all but it is interesting. There are 3 possible reasons about this name.
  • At the area of the temple there were a lots of badut tree. It looks like a jackfruit tree. So it is called Badut temple.
  • It refers to a name of the king of a kingdom which men say, had built this temple. The name is Liswa. In Old Javanese it means clown.
  • The word Badut comes from Sanskrit, “Bha-dyut”. “Bha” means star Agastya and “Dyut” means ray. So Badut means the ray of star Agastya.
 

Candi Badut stands on an area of 2,808m2 and 508 meters above the sea level. The area is surrounded by mountains. At the east there is Semeru Mountain, at the west, Arjuna Mountain, at the north, Tengger Mountain and at the south, Kawi Mountain. Like you see at the picture shown here, the temple has a big garden around. I can imagine how beautiful this place was.
E.W.Maureen Brechter, a Dutch inspector, has found this temple in 1921. It was destroyed, covered with trees and ground. Then this temple is restored in 1925-1926 under the leader of De Haan, the Head of Archeology in Dutch Indie time. The last restoration was done in 1991-1992 by Indonesian government.
 

This temple consists of foot, body, and roof. When people found it, they just could see the foot parts. They collect the stones based on its sort and size. Then they tried to build the body. The foot and body were rebuilt but the roof cannot be found. What a pity.
Inside the temple there are Yoni and Lingga. Lingga is a symbol of men genitals and Yoni is a symbol of women's.
 

There are also other meanings about Lingga and Yoni. Lingga is the symbol of god Shiva the creator and the Yoni is his wife Parvati. Lingga is the father (god) and Yoni is the mother (universe). For Hindu followers these symbols and the place are holy. Lingga and Yoni are a characteristic of a Hindu temple.
They also found the foundation of the wall around the temple. Here you can see the rest of the stones of the wall.
Among the stones there is also a statue but the head is missed. See the picture here below.
 

Although there are many parts are missing, this temple is still used by Hindu followers who come to pray on Galungan Day. This is a Balinese holiday that occurs every 210 days and lasts for 10 days. During this holiday the Balinese gods visit the earth.
This historical witness has something to do with Dinoyo inscription. According to the inscription Candi Badut is dated from November 28th, 760M. It means it is the eldest temple in East Java. So a 1,250 years old temple in East Java is located in a crowded residential area. Wow!!
This temple is located not far from Wesley International School. If you are in Malang make a time to visit Candi Badut. For photographers this is also a place to make good shots. 

Kalasan Temple

Kalasan Temple


Kalasan temple
is the oldest Buddhist temple in Yogyakarta and Central Java. The temple is approximately 14 kilometers from Yogyakarta. It lies only about 50 meters left side from the high way of Yogyakarta-Solo, precisely at Kalibening village in Kalasan.

The construction of Kalasan temple was in 778 BC as a present of the marriage of Pancapana of Sanjaya dynasty to Dyah Pramudya Wardhani of Syailendra dynasty. In addition to a marriage present, the temple was also realization of the kings' proposal to build another holy temple for goddess Tara and a monastery for the monks. This Buddhist temple was later known built by Rakai Panangkaran from Wanca Sanjaya whose religion was Hindu.

Its original name is actually Tara temple, since it is located in Kalasan area, this temple is popular with the name of Kalasan temple.

This beautiful temple ornamented with finely carved relief and coated with “Vajralepa”, a yellowish material made of the sap of certain three. The Vajralepa functioned as adhesive and as protection against moss and mildew, and refined the carving as well.

Kalasan temple is formed of 34 meters and 45 meters high building. It consists of three parts: the bottom or foot, the body and the top or the roof. The foot is the part of the temple that stands on a 45 meters square. On this part, there is a makara at the edge of the stair. The body of the temple is a square area where its south east side can be entered through the east door. On the area, there is a chair ornamented with a standing lion on the back of an elephant. At the outside of the temple, there is a relung ornamented with a figure of standing gods carrying the flower of lotus.

On the border between the top and the body of the temple, there is an ornamented flower of small paradise creature called Gana. The roof of the temple forms eight angles and consists of two levels. Each of side on the first level, there is a Budha statue that describes human Budha, and the second level describes Yani Budha, e.g. Yani Budha Ratnasembawa that is located on the south site. The top of the temple seems to be a stupa, however it can be reconstructed due to the missing stones. Surrounding the temples, there are 52 stupa with 4,60 meters height. Those stupas are no longer constructed due to the missing stones.

Source: http://www.travelindo.com

Credit Photo: http://www.javatourism.com

Batu Bolong Temple

 Batu Bolong Temple

Batu Bolong Temple is located on the one of "Njung" in Sagara Kidul Tanah Lot, about 100 meters in the west side of Enjung Galuh Temple, to be exact at Enjung Batu Bolong, "Njung" which is the rock that stick out in to the sea was hollow (bolong). Hollow form of this Njung, like crescent, so that this temple named Batu Bolong Temple. So that if we take the picture from Enjung Galuh area, representing uniquely panorama with splashing wave which often collide with wave which return from coastal edge.

And the most uniquely is, splashing wave from west side of Njung Batu Bolong with wave that come from east side of Njung Batu Bolong, so that become amazing panorama which will not forgetting and overcome by fotografer and visitor. More, if we can combine height of wave, as according with calculation of incoming wave from middle of the ocean, will become special picture and best result for visitor.





Batu Bolong Temple was built to pray God for holiness. Enjung Batu Bolong area is a place that always used to held Melasti Ceremony and Pakelem Ceremony, where the meaning of both Ceremonies is to purify the world. Priest (pemangku) for Batu Bolong Temple is Jro Mangku Sena. The Ceremony of Batu Bolong Temple is every Rabu (Wednesday) Wage, Wara Langkir according to the Balinese calendar.



Source: www.tanahlot.net
Image : www.nanyabali.com
               www.flickr.com

Uluwatu Temple

Uluwatu Temple

Pura Luhur Uluwatu is one of Bali's kayangan jagat (directional temples) and guards Bali from evil spirits from the SW, in which dwell major deities, in Uluwatu's case; Bhatara Rudra, God of the elements and of cosmic force majeures. Bali's most spectacular temples located high on a cliff top at the edge of a plateau 250 feet above the waves of the Indian Ocean. Uluwatu lies at the southern tip of Bali in Badung Regency. Dedicated to the spirits of the sea, the famous Pura Luhur Uluwatu temple is an architectural wonder in black coral rock, beautifully designed with spectacular views. This is a popular place to enjoy the sunset. Famous not only for its unique position, Uluwatu also boasts one of the oldest temples in Bali, Pura Uluwatu. Most of Bali's regencies have Pura Luhur (literally high temples or ascension temples) which become the focus for massive pilgrimages during three or five day odalan anniversaries. The photogenic Tanah Lot and the Bat Cave temple, Goa Lawah, is also Pura Luhur. Not all Pura Luhur are on the coast, however but all have inspiring locations, overlooking large bodies of water.

Pura Uluwatu is located on the cliff top close to the famous surf break on the SW of the Bukit peninsula. Empu Kuturan, a Javanese Hindu priest who built the tiered meru, founded the temple in the 10th century and a shrine here as well as at other key locations longs the Balinese coast. In the 15th Century the great pilgrim priest Dhang Hyang Dwijendra, who established the present form of Hindu-Dharma religion, chose Pura Uluwatu as his last earthly abode: history records that Dwijendra achieved moksa (oneness with the godhead, in a flash of blazing light) while meditating at Uluwatu. The temple is regarded, by Brahman's island wide, as his holy 'tomb'. Legend also tells us that Dwijendra was the architect of the beautiful temple, as well as many other major temples on Bali, Lombok and Sumbawa. In the 17th century Niratha also from Java came to Bali and built temples, adding to Uluwatu.

Behind the main pagoda of Pura Uluwatu's small inner sanctum, a limestone statue of a Brahman priest surveys the Indian Ocean-it is said the statue represents the founding priest Dwijendra. Another shrine within the complex represents the boat on which Dwijendra traveled from, then, Hindu Java. According to legend he arrived at Pura Peti Tenget, north of Kuta.

Uluwatu Beach is known for its surf and, in nearby hostelries, its full moon rage parties. It rages at the temple too but in an orderly way, thanks to the royal house of Puri Agung Jero Kuta, Denpasar, who are the temple's hereditary pangemong (custodians). Hundreds of nobles from this family, and many 'devotees' (pengayah) and village pemangku priests from nearby hamlets, ensure that every seven months (on Anggar Kasih Medangsya by the Wuku Calendar, to be exact) the festival is run efficiently, and most elegantly. The palace is proud of its ancestral role: it manages the awesome logistics with fitting dignity.
Being a popular surfing spot for the very experienced, Uluwatu offers a wonderful vantage point to view a spectacular sunset. Warungs or small restaurants perched on the cliff offer a comfortable spot to survey the vast Indian Ocean beyond and below the 100-meter-high cliffs with panorama on three sides. Monkeys inhabit the temple and cliff face hoping for a banana or some peanuts from the visitors.

Source: http://www.indonesia-tourism.com
Credit Photo: www.balinesia.com


 
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