Jolopong (Sundanese Traditional House)

 Jolopong House

Do you know, what is Jolopong? Jolopong is one kind of Sundanese Traditional house. Actually, Sundanese Traditional house has a different name depending on the shape of the roof and doors of his house. Traditionally there is a roof called suhunan Jolopong, Tagong Dog, Rhino Heuay, Boat Kemureb, Jubleg Nangkub, Capit Scissors, and Open Pongpok. Of all of them, Jolopong is the simplest form and are often found in areas of cultural heritage or in the villages. Jolopong roof has two fields separated by suhunan lane in the middle of the house. Suhunan rods of equal length and parallel to both the underside of the roof that was next to one, and while others are shorter than suhunan and cut perpendicular suhunan at either end of it.

The interior is also very efficient Jolopong owned. Jolopong space consist of a front porch or Tepas; room called the center or middle imah patengahan; called pangkeng side rooms, and the back room consists of a kitchen and a store called Pawon rice called padaringan. The room called overhang serves to receive guests. First, the room is left empty with no tools or home furnishings such as tables, chairs, or bale-bale seating. If guests arrive then the owner of the house stage mat for seating guests. Over time, has now been provided tables and chairs and even other equipment. Balandongan space serves to add coolness to the occupants of the house. For the bedroom, use Pangkeng. The room is kind pangkeng prostitute or warehouse used to store goods or household appliances. The room being used as a gathering place for the family and is often used to perform ceremonies or salvation and a back room is used for cooking.

Judging in terms of philosophical, traditional houses belonging to the community of West Java have a very amazing. In general, the name of the Sundanese traditional house suhunan intended to respect the surrounding nature. Almost every building custom homes are rare Sunda iron nails and other tools of modern buildings. For inter-pole amplifier used paseuk (from bamboo) or a rope of palm fiber or coconut fiber, while the roof of the house used as the cover of palm fiber, palm leaves, or leaves Rumia, as Sundanese traditional house very rarely use precarious. Another interesting thing is the material used by the house itself. Use of a thin material and booth stage floor of wooden planks or Palupuh certainly not be used for shelter in community with barbaric civilization. Home for the Sundanese community not as a fortress of protection of human enemies, but merely from nature in the form of rain, wind, sun and animals.



Prambanan Temple


Prambanan Temple ( also known as Lorojonggrang Temple ) was located at Bokoharjo Village, Prambanan, East of Yogyakarta. The exact date of when the Lorojonggrang Temple was built was still in argument. However, there are two opinion of who builds the Temple. One opinion stated that there was only one, dynasty, Cailendra Dynasty, before Lorojonggrang Temple was built. The second opinion stated that there were two dynasties, Cailendra and Sanjaya Dynasty. Cailendra Dynasty occupied the Southern part of Central Java, whereas Sanjaya Dynasty occupied the Northern part. Buddhist Temples were found mostly in the Southern part of Central Java, and that the Ciwa Temples (Hindu) were found in Northern part of Central Java.

It seemed that Sanjaya Dynasty existed before the Cailendra Dynasty with the center of authority in South Kedu (around Magelang, North of Yogyakarta ). This statement was based on Canggal Inscription ( 732 A.D. ). The Sanjaya Dynasty was then pushed to the North by the Cailendra Dynasty which arrived around 778 A.D. (Kalasan Inscription). The existence of Sanjaya Dynasty was also mentioned in Balitung inscription (708 A.D.). In that inscription it was stated that whenever a King died, the King became a "Dews" ( God, Devine). Based on the inscription studies, it showed the sequence of Kings in Sanjaya Dynasty as follows :
  • Sanjaya (732 - 760 A.D.)
  • Panangkaran (760 - 780 A.D.)
  • Warak (800 - 819 A.D.)
  • Garung (819 - 838 A.D.)
  • Pikatan (838 - 851 A.D.)
  • Kayuwangi (851 - 882 A.D.)
The Rise of Cailendra Dynasty was inscripted in Kalasan inscription, and was followed by other inscriptions, but the historical sequence was difficult to be followed and still a debate. Some inscriptions stated the possibility that both dynasties built the same holy temples as well ( Kalasan Inscription and short Inscription in Plaosan Temple ). On the short inscription two Kings were mentioned, Rakai Pikatan from Sanjaya Dynasty and Sri Kaluhunan from the Cailendra Dynasty. Casparis identified Sri Kaluhunan as the son of the latest King of Cailendra Dynasty, Samaratungga. According to Karang Tengah Inscription ( 824 A D. ), Samaratungga was also called Pramodawardani. The marriage of King and Queen with different religion ( Buddha and Ciwa/Hindu) seemed to influence the architecture of Prambanan Temple which was built by King Pikatan ( Sanjaya Dynasty ). The top of Prambanan Temple did not have a lingga type ( phallus type) but instead a ratna type ( ratna = diamond) which looked like a stupa.

At this point, the King who ordered the building of Lorojonggrang Temple is not convincing. According to the 856 A.D. inscription ( locality source is unknown, preserved in Jakarta Museum of Art ) stated that King Jatiningrat was replaced by Dyah Lokapala. Darmais and Casparis identified Dyah Lokapala as King Kayuwangi who issued Argapura Inscription ( 863 A.D.) According to Balitung inscription (907 A.D.), Kayuwangi was the King between 851-882 A.D. The King before Kayuwangi era was Rakai Pikatan, and thus be concluded that Jatiningrat was indeed Rakai Pikatan.
The Balitung Inscription also described more detail on the structural arrangement of temples. On the 11 th line of the inscription, it stated that temple buildings were categorized into two kinds: the Ciwagraha (graha = a house) and Ciwalaya. The main temple (Ciwagraha) was built by the King, and smaller and lesser temples Ciwalaya ) were built by ordinary people regardless of social status.
The temples which were built by ordinary people had a row arrangement with similar height and forms. The main temple ( built by the King ) had its own wall, separated from the smaller temples. The main gate had a statue of Dwarapala, and at the east was planted a "Tanjung tree" which was considered sacred, as a way for God to descend to earth. Furthermore the temple complex had an irrigation system and buildings for the priests. When the building of Ciwa Temple was finished, the flow of a river was diverted passing alongside the walls of the main temple, separating the main temple ( Lorojonggrang Temple and the smaller temples.

From the inscriptional readings, it could be concluded that on the year 856 A.D. (the issuance of the inscription), Lorojonggrang Temple Buildings had been finished. It was Rakai Pikatan who built Lorojonggrang Temple. This evidence was shown by Casparis based on the Lorojonggrang inscription. There were 50 stones at Lorojonggrang Temple with inscriptions written in white, black and red color. The name of Rakai Pikatan was found among the inscription, and that the writing style found in Lorojonggrang Temple was similar to that in Plaosan Temple.

A. The Discovery and Restoration of Prambanan Temple

The discovery of Lorojonggrang Temple was reported by C.A. Lons in 1733. The temple was in ruined condition, abandoned among grass and tree vegetation. First effort to reveal the presence of a temple was done in 1885 by cleaning the site from grasses and shrubs followed by grouping the stones. This project was supervised by Yzerman, Groneman and van Erp. The work was continued in 1918.
Grouping and identifying the stones in detail followed by restructuring Ciwa Temple was done by van Erp. In 1937, restoration began under the supervision of Bosch, followed by Stuuerheim, van Ramound and others. The restoration was finished in December 20, 1953. About 240 temples undergone restoration, such as two Apit Temples (restored in 1923), four Kelir Temples, and four Corner Temples (Candi Sudut), two Perwara Temples, two entrance gates, the South Gate and the North Gate. The next restoration used the Government Routine Development Budget. Those restoration included Brahma Temple ( start restoration in 1978 ), Wisnu Temple (start restoration in 1982).

B. Structural Description and Arrangement

The Prambanan Temple is a group of Hindu temples, and was also known as Lorojonggrang Temple. The word Prambanan refers to the name of a District, Prambanan District, whereas Lorojonggrang refers to its actual name.
The temple complex has three concentric square
  • Outer square (222 x 390 meters) surrounded by a 1 meter boundary wall.
  • Middle square (110 x 110 meters) surrounded by a 1 meter boundary wall.
  • Center square (34 x 34 meters) surrounded by a 1 meter boundary wall.
All the three squares have gates to connect the other squares. The outer square do not have temples. Inside the middle square there are 224 Perwara temples which are arranged in 4 rows of temples. The first row consists of 68 temples, followed by the second row (60 temples), the third row (52 temples) and the fourth row (44 temples ). The arrangement of temples is in such a way that shorter temples lies in the outside and getting higher toward the center. 

The earthquake that hit Yogyakarta in 2006 caused a lot of damage to the temple, but do not worry, the damage has now been repaired. If you want to Prambanan temple and you will drive a car or motorcycle, you simply pass the road Solo, from overpass Janti, to the east continues. Then you will see the Prambanan temple on the left before passing the border to Central Java. I hope after the author wrote this articles, you will visit it. I think it is the best recommended for you guys to spend your holiday. Good luck 

Credit Photo:  http://en.wikipedia.org

Lotek Teteg



 Lotek Teteg

A Large Portions of Lotek and Gado-Gado
Lotek and gado-gado which are usually called as Indonesian salad become the main menu in Warung Lotek Teteg. This food stall which is located several meters in the east of Lempuyangan Station is crowded by the visitors when we go there. Its place are comfortable, shady, and wide. The place to eat is divided into two, lesehan (no seat) and using seat. Entering this restaurant, familiar ambiance suddenly be felt. A singer is singing traditional song and makes own comfortable feeling. Not only lotek and gado-gado but also variant of juice we can get here with the prices start from IDR 2,000 to IDR 11,000.

No need much time after we orders, the waiter brings two plates of lotek and gado-gado. The first impression when we see those lotek and gado-gado, of course is shocked and confused because the portions are much. Then arise a question, can we eat it all? When a spoonful of lotek enters our mouth, peanut sauce immediately felt on the tongue. The flavors are perfectly absorbed between the spinach and chickpeas that become the filling of lotek. Its chips are really crispy so it makes sound kriuk kriuk, very fit with its nut sauce. Likewise for its gado-gado. Thick peanut sauce melts together with fresh vegetables which become the filling of this gado-gado. Finally, a large portion of it is finished. Really really wareg (Javanese word for full)!



Visiting the kitchen, we sees a big mortar with 80 centimeters diameter. It is bigger than the size of standard mortar. Besides its large portion, the big mortar also becomes Lotek Teteg’s characteristic. According to Bu Nur, the second generation of this restaurant owner, that mortar was used to make peanut flavors since long time ago. This big mortar can make peanut sauce for 80 portions in the morning. If the visitors are many, Bu Nur will not be bothered to make the peanut sauce again.

The idea to use this big mortar came from Mr. Untung, the founder of this restaurant and also Bu Nur's father. This big mortar is used to make more practice and it will not eliminate the taste of peanut sauce. That's what makes the peanut sauce is very special in this stall, it looks soupy and tasted different from others lotek. Well, Lotek Teteg itself had stood since 1968. Formerly this lotek restaurant named "Sederhana". It is because the place is near to teteg (fence) railroad, the customer called is as Warung Lotek Teteg.

Opens everyday: 9a.m - 4.30p.m

Credit Photo:  http://jogjabagus.com

 

Kalisuci Cave Tubing



 Kalisuci Cave Tubing

Gunungkidul Regency has been known as a barren and dry area since topographically almost all of its regions consist of range of hills that underlain by limestone, or something known as karst. During the dry season, the green view of plants will dramatically change into brown because they are withering. However, behind its barrens, Gunungkidul possesses millions of potential tourism objects that are rarely found in other places. One among them is the beautiful cave that lies beneath the earth with the stream flows in it.
Go along the river flowing through the cave in the bowels of the earth is one of the adventures offered in Kalisuci, Semanu, Gunungkidul. Known as cave tubing, this activity combines caving and body rafting activity. Based on the information that cave tubing is only held in Mexico, New Zealand, and Gunungkidul, We curiously began the new exciting and challenging adventure. After life jacket, helmet, and all supporting cave tubing equipments had been perfectly set on the body, We started to walk along the path between jati woods to reach the start of Kalisuci cave tubing.



The winding river flow could clearly be seen from the cliff; the blue water looked contrast with the brown land, the karst, and also the withering plants, so that they formed an awesome and harmonious natural picture. After everybody got on the tube, the river adventure started. The tube moved as the river flew. When the water was still, our hands should row the tube to make it move, but when we were in a rapid, the tube would move fast and twirl following the stream flow. In some spots consisting of rocks and extreme rapid that was hard to go through, We should have got out of the river and walked while carrying the tube.

The real adventure began when the stream entered the recesses of Kalisuci and Gelatik cave. The sunlight disappeared and the situation turned into something dark. The only light was from the headlamp. The stalactites seen on the cave’s roof kept dropping water from their tip. Some of them were crystal. Three bats were hanging on the ceiling, some fish were swimming under our feet, and a big spider was on the stalagmite. The beauty of the cave and the coolness of the river in the silence made us reluctant to leave. Having an intimate experience with the coldness of the river flow beneath the earth with an extra wonderful and exotic view was a really unforgettable adventure.

Price: IDR 65,000 / person (min 5 persons)
Open Hours: 09.00 AM - 16.00 PM
Facilities: cave tubing equipments, guide, meal after the cave tubing activity
  
Credit Photo:  http://news.viva.co.id

Ceremony Ratif Saman (Daik-Lingga, Kepri)


Ceremony Ratif Saman

In Lingga District, Riau Islands province is a village named Resun. In this village there is a ceremony called "Ratif Saman". It is said that this village had Aceh.Mereka stop off by people living in this village. However, they did not last long because in the village there is a dangerous disease outbreaks soul. Call the local communities as a disease that comes from ta'un spirits (evil spirits). These creatures are also often showed his form so that the citizens of the village became frightened. In addition to disruption of spirits, village residents are also often visited by flocks robbers, who are not only looted property, but also raping and killing people who tried to resist.


To avoid the disruption that, they (the people of Aceh) moved to the small islands around the Linga. After hearing the abandoned village was free from distractions (safe), they flocked back into place (Village Resun). However, when they settled back in the village came back Resun interference, so that they, once again, left. By those, who left the area dubbed the "troubled areas" due to his condition troubling.


The news about the troubling regions do not seem to Bangka. Indeed, the sound is that the Linga Island land is very fertile. So, berdatanganlah people to the island of Bangka Linga under the leadership of Haji Muhammad Yusuf bin Haji Hasan. They founded the village that once occupied by the people of Aceh. There they try to cultivate their land to make ends meet. However, in the not so long, what had happened earlier arrivals (people of Aceh) is on, so many died because of disease or caused ta'un robbers. The atmosphere was very disturbing, so many that want to move to another island that is considered safe. However, the desire was not realized because of his leadership (Haji Yusuf bin Haji Muhammad Hasan) called for them to be patient.

To ease the anxiety of his followers, Muhammad Haji Yusuf bin Haji Hasan who was then traveled to the Sarawak and Brunei, to trade, bringing four "smart people" from the region to help cope with the disaster in the village. However, the four turned out to be a good person could not handle it. In fact, all four ta'un disease and died. They are piled in the tomb in a grave. To honor the four "smart people", the name "Restless" was changed to "Resun". Thus, the village's name is taken from the early Resun word "troubled" that is "re" and the end of the word "stacking" is "sun". "Restless" is derived from Acehnese people whose lives are not quiet after settling in Linga, and "stacking" is taken from the smart people of Sarawak and Brunei are buried in a hole composite.

Seeing the state of the village who have continually plagues, Haji Muhammad Yusuf finally decided to go to Mecca to seek a way out. On the first trip, second and third, he has not found a single clue that could lead his people free from disaster. In his fourth trip to Mecca, he met with Mr. Sheikh Akhmad Khatif from Sambas Sambas, Kalimantan. From Sheikh Akhmad Khatif this Sambas, Haji Muhammad Yusuf finally got a practice of worship that can be useful to eliminate anxiety village residents. Practice was a long series of remembrance called "Ratif Saman". Ratif means "wirid" or "remembrance" and Saman came from a Sheikh who created such a remembrance is one of the many people who have become teachers Sheikh Akhmad Khatif Sambas. What is contained in this remembrance is the whole human expectations, including to avoid interference jin, diseases, and robbery and murder.

After returning from Mecca, Haji Muhammad Yusuf ordered his followers to do the ceremony Saman Ratif continuously in accordance with the applicable rules, ie 3 times in one month (every Friday night) at the surau village (now the Al Hidayah mosque). In the first week focused on the mosque. Meanwhile, in the next week, accompanied by walking out of the mosque toward the base (the south) and the end of the village (northern part), because the parts are believed to be the abode of the spirits.

With the ceremony gradually what they expect to begin to materialize. Disease "ta'un" already started missing and disruption genie and an evil spirit had also started rarely. And, the robbers did not dare go bothering people, so that the village atmosphere becomes safe and secure. They begin to develop agriculture and plantations while still running Saman Ratif ceremony.

Until the mid-year 1996 ceremony was held every Friday night (3 times in one month), because people still believe that Resun on the night of the spirits roaming and need driven by Saman Ratif. The ceremony itself was performed after Isha prayers (at around 19:30 GMT). However, after the year 1996 it began to fade routine. Since the ceremony is often done only at certain moments, namely when the village started a lot of distractions.

Tools

Equipment used in this ceremony are: (1) beads, which is a tool to calculate the number of peace are spoken, to comply with the mandatory (no less or more); (2) pieces of sandalwood and aloes which later burned as incense; (3 ) matches and a candle to illuminate the reading of the Koran, and (4) white water and then taken home by participants as a drug that is believed to cure all kinds of diseases, especially diseases that come from a supernatural being.

Ceremony Implement

As already mentioned at the top, Saman Ratif ceremony performed on Friday night, after Isha prayers. For those who do not follow the ceremony (women and children) will return to their homes, then closed the door, windows, turn off the lights (lights), and not allowed out of the house. Because if it were outside the house there is the possibility of being hit by a smooth running scared because of the remembrance uttered by the participants of the ceremony.

Given time to do something and not be out of the house, especially for those who do not follow this ceremony, approximately 30 minutes. After the appeal time ran out, the leader of the ceremony sitting in front of the pulpit. This means, the participants are allowed to enter the mosque (Al Hidayah mosque in the village of Resun) carrying water. The water in various containers were placed close to a container made of metal. Container that is kiln sandalwood chips and these aloes, by them, called "incense". Issued by the fragrance of wood are not only functions as an air freshener, but also at the same time as the towing angels and good spirits (jinn and white) to participate in the ceremony.

After the ceremony equipment available, the participants over the age of 30 years will sit down and form a circle (starting from the right and the left-led ceremony). Furthermore, younger age, sitting in the back of the old man. When everything is seated properly (like sitting in the "final tahyatul" made in prayer), master of ceremonies explained that what was done not to worship Sheikh Saman, but to Allah to bless the angels down ratif and white with a genie (jinn muslim) to fight and expel demons from Resun Village. In addition, the leader of the ceremony also describes procedures for implementing Ratif Saman. The next leader of the ceremony to give an explanation of the rules say the dhikr "Laillaha illallah". Since the pronunciation should follow certain rules. Before you say the word "Laillah", the breath must be drawn in deeply. Furthermore, the word "hail" spoken with the head rotated to the left shoulder, passed pronounced "lal" (head rotated to the right shoulder), until finally pronounced "lah" is accompanied by a bow my head to the right ribs. Pronounced the sentence "Lailahaillallah" while doing these movements, meant that participants always remember God. Interesting nose air, according to their beliefs, is a source of entry of the disease and also the entry of the evil genie that interfere with the human body. With the withdrawal of air and exhaled back while saying "Lailahaillallah" all disease is expected to go wasted. Another explanation is about the reading of verses which rules sometimes so long that only a ceremony held by the leaders and village elders who used to do that. If not familiar with or can not follow the verse pronounced enough to read the participants' Allahuma Salli Ala Muhammad "repeatedly until the long paragraph is completed read master of ceremonies.

After giving these things over, then leader of the ceremony to start the course Ratif Saman. Some letters in the Qur'an was read, followed by several ratif (dhikr), followed by all participants. After the ceremony, the ceremony leader allows each participant to take water that has been brought.

There are taboos-taboos are ignored (from the time the ceremony is done until the third day). Taboos-taboos are: (1) are not allowed to bring the body into the village because the black genie back into the village by way of clinging to the body; (2) may not carry the canoe across the village street it will be used by a black genie " vehicle "to re-enter the village, and (3) should not hang the clothes in front of the fence, because the clothes were feared still not free from the unclean, so that they can invite the arrival of black jeans.

Prayer-Spells

The prayers are spoken in the ceremony Ratif Saman, including:
  1. Shalawat done for about 5 minutes. Shalawat is an introduction to reading and ratif the holy sentences Quran contained in the implementation of Saman Ratif.
  2. Reading of Al-Fatihah some 10 times.
  3. AL-Ikhlas reading some 10 times.
  4. Section Qursi readings.
  5. At the reading of reconciliation some 10 times.
  6. Jonah prayers which reads: "Laillaha illa anta Minadholimin Kuntu Subahanaka Inni", some 10 times.
  7. Reading of the phrase "Astaghfirullah Al Azim. Allazi Laillaha illa Hua alhayyul Qalyum Waatubu ilaik ", as many as 100 times.
  8. Readings Shalawat delicious (delicious Apostle) and or say: "saiyyidina la Allahhuma shalli Muhammad".
  9. Reading of the letter Friday.
  10. Reading of the phrase "Lailaha illa" as much as 300 times (at the sentence has been read as much as 220 times, and the muezzin's call to stand. At the time of the call to prayer, ritual leader stood up and read the letter "Alamnasroh" as much as 7 times).
  11. The reading "Qudus yes Lakalhamdu La ilaha illa Allah", some 50 times.
  12. Remembrance "Antal Hadi Antallah, Laisal Hadi Ilahu", some 50 times.
  13. Remembrance "Yes hayyun. Yes Kayyum. O God ", some 50 times
  14. Remembrance "Yes Latif. Yes Habir. O God ", some 50 times.
  15. Remembrance "Yes Rahman. Ya Rahim. O God "some 50 times.
  16. Remembrance "God Hayyi" some 50 times.
  17. Remembrance "Hayyi" some 50 times.
  18. Remembrance "Allah, Allah, Allah Hu" some 50 times.
  19. Remembrance "Hu" some 50 times.
  20. The reading "Allah Allah Allah Saiunillah Salatullah Salamullah ...".
  21. Furthermore, the master of ceremonies read a letter Friday, some peace and letters, such as: (a) Shalawat Jamil; (b) Shalawat Azimah; (c) Al-Fatihah is awarded to the Apostle; Adam and Eve; Friends of the Apostle; Aulia Muhaqiqin; Sheikh Abdul Kadir Zailani; the trustees (the people of devotion in Islam broadcasts, both in Arabia and outside Arabia); Resun ancestral founder of the village; or Ustad teachers who teach Islamic doctrine; Yighous Sinambik Angels guarding Wattina Haza House; and Maulana Sheikh Ahmad Khatif Sambas, initiators Saman Ratif ceremony.

Cultural Values
Based on the above descriptions, a ceremony called Saman Ratif, when examined, contain values as follows:

  1. Deliberation. This value is reflected in the implementation of Saman Ratif ceremony itself. At first, this ceremony occurred spontaneously. However, recently it rarely happens (if you can not be said to have never happened again). Therefore, it is necessary and whether the ceremony should be discussed with the (discussed) by the local community leaders, such as traditional leaders, scholars, and scholars. This meant, deliberation becomes something very idealized in determining whether the ceremony is to be carried out or vice versa.
  2. Togetherness. Destination ceremony is to Ratif Saman village atmosphere of peace, tranquility, and peace. The atmosphere is certainly not desirable it can be realized by one person. However, requires the involvement and cooperation of all members of the village community. Live together in a community (village) need togetherness in the face of problems affecting the village and its people. In this ceremony together will make people live well (apart from various diseases, robbery, rape, and murder). Therefore, one of the values contained in this ceremony is togetherness.
  3. Religious. Saman Ratif ceremony is an active response to community groups committed to one powerful enough strength that comes from the spirit world. Disease misfortune, bad spirits, can not be mastered by all intelligence power, or wealth owned property. In this case the strength to face it, the Malays in the area Resun Saman Ratif ceremony reaffirms the essence of faith and strengthen themselves. They believe, around where they live (forests, mountains, rivers, villages), there are spirits that have a power beyond human strength. Delicate creature itself, consists of two types, namely: "black" and "white". Spirits are "white" will never interfere with humans. Not so with spirits of "black", will always interfere with humans. Only the mighty force that can drive dahsyatlah or eliminate interference from these fine creatures, namely the strength came from God. Therefore, they pray, pray silently, and ask Him to avoid the bad spirits (black jeans). As a way which is believed to convey that to God is through the teachings of Islam, in order to obtain the salvation of life. Saman Ratif ceremony is one form of business to achieve worldly salvation and the hereafter, which is implemented through behaviors that are un-Islamic. In other words, they perform this ceremony in order to get ridho from God, as to avoid disruption of black jeans and other disturbances that are secular.
  4. Health physically and mentally. Religious activities very closely related to the safety of the world and the hereafter. To practice or perform religious activities is the spiritual and physical needs of "healthy". At the ceremony the participants Ratif Saman move his head when remembrance. Besides that, other than in the mosque, remembrance is also done while walking around the village. This activity can be used as a form of exercise, a positive impact on health. At the time of remembrance, the head turned from left to right repeatedly, can make the blood circulation in the head to be smooth and the neck veins become flexible. And at the time walking around the village, all members of the body will move to remove the sweat. While spiritual health gained from reading the holy verses and remembrance. If people really into the holy verses, then his soul will be calm and peaceful.Mutual assistance. Saman Ratif this ceremony is a form of a sense of togetherness and mutual help attitudes of society. Interference problems that come both from within their own environment (internal), and which came from outside (external) is a problem with that solution worked together well. Ta'un disease, the threat of robbers, and bad spirits, faced with Saman Ratif ceremony. During the ceremony, people cooperate to prepare all that is necessary at the time of the ceremony. 
 Source: http://uun-halimah.blogspot.com
Credit Photo: http://riauaksi.com

Wayang Golek (West Java)

On this page some information is given about the history of Wayang Golek, the full story of the Pandawas (Mahabharata/ Bharatayuda), which is used for one of the Wayang-plays, the myth (goena-goena) around the Wayang puppets and the theatre itself.


Dalang

The puppet master (dalang) presents a play (lakon) during important social events including public holidays, religious festivals, weddings, births, circumcisions, exorcisms and on Bali, cremations. The sponsors may be fulfilling a vow, or the performance may be part of their responsibility to their family or community. Plays provide moral and social instruction along with entertainment. The audience is said to be protected from evil while a play lasts.

                                                                              
Goena goena

Before the carving of the puppets ceremonies are exercised (if it is a serious dalang). It is commonly believed in Indonesia that the puppets have a 'soul' or spirit (jiwa). There are 'evil' characters and 'good' characters, just as in the story of the play. The 'good' characters are the puppets with the white, blue, green and some with pink faces. The 'evil' ones have red, pink and sometimes blue faces and mostly big canines. Under the 'evil' characters there are also demons, ogres, witches and some clowns. On stage the 'evil' Wayang puppets are placed left of the dalang and the 'good' ones his right side. It is said that one 'evil' puppet needs ten 'good' ones to prevent it from spreading its evil influence. If there are no 'good' puppets around, the 'evil' puppet must be placed with its face to the wall and certainly not with its face to the frontdoor/entrance of the house, it is believed. This belief is a part of the 'Goena goena', in Dutch called "Stille kracht". The Dutch invented this term for this spirituality during the colonial ages.


History and background

The puppet-theatre is a very old tradition in Indonesia, originally from western Java. Its origins can be traced back to rituals for the adoration of gods and spiritual beings. Though nowadays entertainment by these performances is becoming more and evident (unfortunately), this form of theatre is not yet completely seperated from its religious context. Therefore to this day mostly issues which are performed are about the gods of the Hindu-Pantheon. Besides the mainplot there are also many scenes with jesters, whose function is to let the audience know the philosophical content of the plays and to comment on current affairs. This should actually not be necessary, because the play itself has a lot of subtualities to explain the philosophy of the story. The few real masters-dalangs left codemn this development. Commercialism is gaining to much influence on the Wayang Golektheatre and entertainment is becoming more important. Audiences these days want to see more violence and humor (clowns) and are less interested in the spiritual side of this tradition. Also the plays are shortened, from mostly one whole day to three hours, people have less time these days.

Accompanied by the music of a Gamelan-orchestra, the dalang plays all the puppets and speaks the complete dialogue. The trunk of a banana-tree, lying on the ground, serves as stage, behind which the dalang sits and in which he can stick the puppets, which he is not using.

The West-Javanese puppet-theatre Wayang Golek is a most popular genre of Indonesian puppetplay. One of the dalangs is Asep Sunandar Sunaraya. He is the most famous dalang of Wayang Golek, though he belongs to the younger generation of artists. He was born in 1955 in Bandung, West-Java. He is especially praised because of the lively handling of the puppets, of which is said, that they could come alive in both dances and battle scenes.

Mostly Asep shows episodes of the Indian epic Mahabharata, which tells about the fighting between the 5 heroic Pandawa-brothers and their cousins, the 99 Korawa-brothers. In here the subjects are general philosophical questions like moral behaviour or the deeper meaning of life.

One of the most famous carvers of Wayangpuppets is Mohammed Ahim (one of his creations, Gatotkaca, is shown in the Gallery), who is now inactive and was situated near the city of Bogor (fomerly named 'Buitenzorg'). His puppets have been carved with high detail and are considered as the nicest of the Wayang Golekpuppets. Mostly he carved his puppets for deliverance to people with a high position in society and to Singaporese dealers. The puppets made by Ahim are very expensive. There are more good carvers, who's puppets are lower in price. Most carvers are also dalang. These days a lot of puppets of low quality are made and sold in the touristcentra of West-Java. There are also large numbers of 'fake' -puppets (mostly delivered in plastic foil). Most tourists have no idea what the difference is between good and poor quality puppets. To have an indication of good quality puppets, check the Gallery on this site.
                                                                             
The Story

Below, one of the three Wayangstories is written. It's the story of the Pandawas (with Arjuna as the main character). Mostly just a part of a story is played at the Wayangtheatre.

The Story of Mahabharata/ Bharatayuda (Pandawa)

This is an epic telling the story of Bharata dynasty from the kingdom of Hastinapura. It discloses the continues war between 'evil' and 'goodness', at the end after a very long battle the goodness shall win, with the blessing of God Almighty, and after a lot of sacrifices had been done. The Mahabharata contains moral and philosophical teachings adopted by many Javanese.

Satyawati, the daughter of fisherman with amazing charm and beauty, undoubtedly had a lot of admirers. Her father, although was only an ordinary man, had a strong determination to marry her daughter with a man of super quality. He always prayed solemnly to Supreme God, the creator of the universe that Satyawati's son, one day could be a wise and great king of the country.

King Santanu, a widower of Bharata dynasty, the father of Crown Prince Dewabrata or Bisma, a brilliant Ksatria (warrior), fell in love with Satyawati. He could take her as a wife with condition, that a son born from her should be coronate as a king to substitute him. He became absent-minded, heavily distressed. He knew for sure that Bisma was the only right person who could replace him.

The wise Bisma, a man with a sharp vision, knew his father's problem and he should overcome his father's sadness soonest.

As for Bisma, on top of everything in the world was his love and respect to his father. He should do everything for his beloved one although he had to sacrifice his own life if necessary. Not to be a king was not a big deal! He should dedicate his service to the country and people, as a Ksatria and Resi (Begawan) a saint, he should never marry. He agreed the son of Satyawati definitely should be king of Bharata dynasty.

On his own initiative, he went decisively to see Satyawati's father who was very surprised of what Dewabrata or Bisma had decided. He said that he had never met a man of such nobleness, doing something only for the sake of other people's happiness.

Satyawati became Santanu's wife and gave birth to several sons. She raised her sons in the best manner, including her eldest secret son with Resi Pulosoro, his name was Kresna Dwipayana.

By secret destiny of life, Kresna Dwipayana with his noble character, mastering a lot of knowledge and the essence of holy teachings become a King of Hastinapura ruled the country wisely. The life in his kingdom was just and prosperous, and he was honored not only by his own people but also by the people of neighboring countries.

In a proper time as he had planned it carefully, he decided to step down as king and carried on a life as a hermit doing a lot of Samadi / Semedi (meditation) for his own purity and for a peaceful life of his descendants and other people. He changed his name to Begawan  Abiyoso.

He had married with Princesses of Kasi Kingdom, Ambika (mother of Destarata) and Ambalika (mother of Pandu). So, the king of Hastinapura had three sons, Destarata, Pandu Dewanata and Widura.

Destarata, the elder one, was blind since his birth, in accordance with ethnic and regulation of Darma, the ancient teachings, he was not entitled to become a king to success his father, the younger brother Pandu Dewanata was crowned. Widura was crippled.

Destarata married with Gendari, they had one hundred children called Kaurawa, the most popular were the eldest son Duryudana and his younger brothers Dursasana, Durjaya, Durmursa, Durmata, etc, and one sister Dursilawati, the wife of Jayajatra.

PANDU the king, he had two wives, the first DEWI KUNTI, gave birth to three sons; PUNTADEWA or YUDISTIRA, BIMA and ARJUNA. The second MADRIM, gave birth to a twin sons ; NAKULA and SADEWA. Those five sons were called PANDAWA.

PANDU's wife, KUNTI, before her marriage with PANDU, when she was a young girl, she had secretly made love with God of Sun, SURYA, and had a son - KARNA.

KUNTI's meeting with God SURYA had occurred after practicing mantra (magic spells) calling God of Sun. He was drawn by her spells, but could not return to heaven before showing his love. She was so afraid, as she was still a young girl. The god with his magical strength could guarantee her, that after delivering their child she should remain virgin. Thus KARNA was born; avoiding disgrace, the baby boy was thrown away to a river where a coachman who adopted him as his son picked him up. This secret was disclosed by KUNTI to KARNA only after BHARATAYUDA had been declared (BHARATAYUDA, the war between KAURAWA and PANDAWA - the war of BHARATA family).


THE DEATH OF PANDU

Princess KUNTI as her husband chose the crown prince PANDU after winning a contest in the kingdom of KUNTIBOJA.

Among the competitors, many crown princes of different countries. PANDU had shown himself as the most gentle, handsome and charismatic KSATRIA warrior. No doubts, KUNTI draped the garland of flowers around his neck as a sign of her election.

His second wife, Princess MADRIM, the younger sister of king SALYA was also a woman of gifted natural beauty.

One a nice day, he went out for picnic with MADRIM, in the nearby forest blossoming with different flowers, the nature was so tranquil with pleasant circumstances, it was a beautiful time to caress his wife. He forgot that he was under the curse of a BRAHMANA (hermit) that he would die if he enjoyed himself with a woman.

One day PANDU was hunting deer in the wood, he saw a couple of deer playing around then he shot dead a deer with his arrow, it turned out that it was a hermit with his woman.

The young amorous king could not stop his natural need and died in the lap of MADRIM.

DESTARATA - The New Ruler of HASTINAPURA

After the mourning period was over, DESTARATA was coronated as the king, although he was blind. His main advisor was BISMA, his unmarried uncle. He had no personal ambition and devoted his life entirely for HASTINAPURA and BHARATA dynasty. He supervised the life and education of his grand children; KAURAWA and PANDAWA. He was also called RESI BISMA (Resi - Priest).

WIDURA was advisor to DESTARATA, appointed by BISMA. He was a brilliant man, scholar, mastering a lot of knowledge such as literature, ethics of DARMA and PRIESTHOOD.

KRIPA, he was a guru to PANDAWA and KAURAWA, master in martial art and ethics of battle.

DURNA, the mahaguru to PANDAWA and KAURAWA. His father was a BRAHMANA (Hindu priest). After finishing his study of WEDA - Hindu holy teachings, he completed also his study in martial art and war strategy in which he became an expert. As a youngster his name was BAMBANG KUMBAYANA. He was prepared to do everything to defend his top position. One day, DURNA was involved in a battle face to face with PATIH (chief minister) GANDAMANA from CEMPALA or PANCHALA kingdom, his ex-rival when GANDAMANA was PATIH of HASTINAPURA. DURNA was totally defeated, one of his hands was fractured badly and it could not function anymore for the rest of his life. His nose was broken, so he had a twisted nose forever. He was referred as PENDITA DURNA, as appreciation of his expertise in holy teachings. He was married to KRIPA's sister and had one son ASWATAMA. He was accepted to work as a teacher in HASTINAPURA and lived in the palace compound. As a PENDITA (Brahmana, Pundit) he should carry on with an honest and low profile life, but life with his beloved family in the palace had lured him to luxurious path, which he prefered.

PANDAWA and KAURAWA were educated by DURNA. They were prepared to be the skilled KSATRIA - warriors, ready to dedicate their life for the fatherland. As a result of good and serious teaching, they were very skillful to use almost every kind of weapons.

On top of physical ability, they were given also moral and religious lessons. Moreover, some of them, depend on their own initiative and exercises had gained tremendous super natural power, even had received heirlooms (PUSAKA) from gods in the form of KERIS (dagger), bow and arrow, and MANTRA (magical spell).

In the process of training and living together during their childhood, as young KSATRIAS, the cousins PANDAWA and KAURAWA, were quite oftenly competing each other and quarreling.

DURYUDANA and DURSASANA were jealous to the superiority of PANDAWA in using weapons and in fight. PANDAWA were more diligent in learning, while KAURAWA were lazy because they were sons of the king.

One day, in an open archery contest for the KSATRIAS, in the square in front of the palace, watched by thousands of people, ARJUNA was superior. He was the best. The people applauded loudly every time ARJUNA hit the target. KAURAWA, especially DURYUDANA were jealous.

Unexpectedly, a youngster entered in the square and challenged ARJUNA that he could do the same as him or even better. He did some marvelous demonstration and then he challenged ARJUNA for a duel match in archery.

KAURAWA were happy, willing to see ARJUNA defeated. ARJUNA was not afraid, he agreed too. But suddenly, their guru - KRIPA stopped the plan for contest. He said that ARJUNA was a great KSATRIA of the great BHARATA dynasty, he would not do a contest with Mr. NO-BODY. This is a KSATRIA ethics, which must be respected.

DURYUDANA protested, he was going to promote that young handsome guy to be a noble man and should appoint him as ADIPATI (viceroy) of AWANGGA. Listening to DURYUDANA, a coachman came in happily, praising DURYUDANA for what he had done to his son. The unknown young man confessed that he is KARNA, the son of coachman.

This confession was ridiculed by PANDAWA. DURYUDANA took the hands of KARNA out of the arena, shouting that KARNA should be his best friend, the viceroy of AWANGGA. Since that time, KARNA was very faithful to KAURAWA until his death. During that incident nor KARNA nor PANDAWA knew that they were brothers.

A woman who witnessed the scene, had a strong feeling - that the youngster, judging from his face as hand some as his first love, wearing accessories when he was born; the shining earrings and holy weapons, must be her own son, her fruit of love with God of Sun, the elder brother of PANDAWA.

The woman, KUNTI, was trembling, afraid if something might happened to KARNA and ARJUNA, both were her sons, but she said and did nothing, kept the secret deeply in her heart.

SANGKUNI

Another faithful friend to KAURAWA was SANGKUNI or HARYA SUMAN. He was a man full of intrigue, very tricky. In order to satisfy DURYUDANA to oppress PANDAWA, he would do gladly. Due to his mastering to twist words he was appointed as PATIH (chief minister) of HASTINAPURA under PANDU and DESTARATA.

SANGKUNI, he was handsome when he was young, his name was HARYA SUMAN. At his first year in HASTINAPURA, he did not have any position, although he was a trusted friend of DURYUDANA. But he was so smart to find ways in the central power if necessary by defamation. One of his victims was the PATIH GANDAMANA.

Upset by slanderous attacks of HARYA SUMAN, the honest PATIH GANDAMANA under king PANDU, beat him up black and blue, his handsome face became ugly. After that trashing, GANDAMANA left the palace.

King PANDU DEWANATA then appointed his brother in law, the younger brother of GANDARI (wife of DESTARATA) to be his chief minister. GANDARI and SANGKUNI were the children of a king from a smaller kingdom ATASANGIN or GENDARADESA.

Conspiracy to Kill PANDAWA

The people of HASTINAPURA adored more and more PANDAWA. They saw them as the sons of the great and farsighted King PANDU DEWANATA. PANDAWA now grown up, believed to have ability to govern the country as just and wise as their late father.

Moreover they had good behavior, polite, and always gave good examples to people, never hurt others. They were true KSATRIAS.

YUDISTIRA, the eldest of PANDAWA became the people's choice. He was very patient, never got to be angry, kind and wise, and had all conditions to be a great king like his late father. DURYUDANA, supported by KARNA and SANGKUNI, could not bear this unfortunate circumstance.

Moreover DURYUDANA was very jealous to his elegant cousin, ARJUNA. His wife queen BANOWATI secretly loved ARJUNA. He tried to influence his father, telling that people everywhere ridiculed DESTARATA and also BISMA. The people said that YUDISTIRA was the legitimate king of HASTINAPURA. PANDAWA was a menace to the power of KAURAWA, something had to be done to prevent the danger.

As a matter of fact, DESTARATA was a good and sincere man. He knew what's right and wrong. He had tried several times to advise his sons, especially the eldest - DURYUDANA to behave properly to be in a good terms with PANDAWA, their own cousins. But after a hot argument, DESTARATA would agree with whatever DURYUDANA's wish. He was a weak father who bowed to his son's wish, this bring unfortunate on PANDAWA.

A conspiracy to kill PANDAWA was on the way, directed by SANGKUNI, approved by DURYUDANA.

PANDAWA and DEWI KUNTI were invited to attend a grand party in BALAI SIGALA-GALA, a retreat palace of BHARATA family. KAURAWA and their friends launched an extravagant celebration, PANDAWA and KUNTI were warmly welcome. Delicious and abundant foods and drinks served, music and dance by first class artist performed. Different kinds of games were available. Everyone enjoyed this grand fiesta.

Midnight was the peak of the party, where anybody seems a bit drunk, some were already collapsed on the floor. The KAURAWA ushered PANDAWA and KUNTI to their quarter to rest. After saying goodnight, the KAURAWA left the place. The PANDAWA wanted to sleep right away on the luxurious beds, as they were very tired.

But they were still protected by God. BATARA (god) NARADA, the assistant of BATARA (god) GURU, appeared in PANDAWA's quarter. He told PANDAWA that they were trapped by KAURAWA by burning the palace to kill PANDAWA. NARADA told them when the fire begun to burn the palace, they had to follow a white squirrel (GARANGAN) running to an underground tunnel without further delay, otherwise they were dead. NARADA vanished at once. When the fire started burning, and a white squirrel seen running, KUNTI and PANDAWA followed it through a dark tunnel.

The palace BALAI SIGALA-GALA was cought by a big fire, nothing remained except debris and ashes. KAURAWA were satisfied, they thought PANDAWA and KUNTI were already dead. While PANDAWA after crawling in the tunnel, came out and find themselves in the jungle. They were extremely exhausted, feeling sad and they did not understand why KAURAWA wanted to eliminate them.

When the news of the fire accident reached HASTINAPURA, the king and his elder advisors were sad thinking that KUNTI and PANDAWA died. They wore mourning clothes.

Unexpectedly in the jungle, KUNTI and PANDAWA were visited by an old BAGAWAN (priest) ABIYOSO, the grand father of PANDAWA. ABIYOSO was pity for the fate of his young grand children. He told them that there was no need to be distressed and remind them, because as a KSATRIA they had to overcome any obstacles.

At last he advised them not to return to HASTINAPURA for a while, instead they had to go to CEMPALA kingdom and disguised themselves as BRAHMANA.

PANDAWA in the KINGDOM of CEMPALA

In disguised as BRAHMANAS, KUNTI and PANDAWA lived in a beautiful country of CEMPALA or PANCHALA Kingdom. They wore BRAHMANA's clothes made of deer's leather.

In one beautiful sunny day, the court family of CEMPALA held a contest in which the winner should got the attractive princess - DRUPADI. It was held in the square in front of the ancient decorated palace. Among the crowd spectators were some distinguished guest, KSATRIAS from different kingdoms.

Crown prince DRESTAJUMENA represented the organizers, polity welcomed all the guests. Afterward he announced firmly and clearly that the winner was the one who could raised the available bows and arrows and the shooting could hit the target.

One by one archers had tried, including KING SALYA and DURYUDANA, but failed even to raise the bow, it was to heavy. Then came the turn of KARNA, viceroy of AWANGGA, a master in archery. Many people believed that he should be the winner, after seeing him raise the bow. But he had missed the target. So he also failed.

No more KSATRIAS entered the arena. Calmly a BRAHMANA came in, greeting politely to DRESTAJUMENA and asked cautiously if a BRAHMANA could be given a chance to participate. The crown Prince replied that every good man with good family background was entitled to take part and this was also the wish of her sister - DRUPADI.

All spectators were curious, who was that brave BRAHMANA. The BRAHMANA in fact he was ARJUNA, the archer of HASTINAPURA, after raising the bow, skillfully hit the target five consecutive times. The crowd was roaring, applauding to honor the winner.

Meanwhile the princess DRUPADI, wearing silk satin with shining jewelry, step down to arena. With wonderful GAMELAN accompaniment, smiling to handsome ARJUNA. DRUPADI draped a garland of flowers around his neck.

DRUPADI was brought to PANDAWA's rented house. KUNTI, the PANDAWA's mother decided that DRUPADI became the wife of five PANDAWA.

The Javanese WAYANG version of DRUPADI was different. The winner of the contest was the one who could defeat, PATIH GANDAMANA, uncle of DRUPADI, in a duel battle. GANDAMANA was famous as a KSATRIA who owned a strong supernatural power and very skillful in fights.

It was the wish of king DRUPADA, her daughter should marry with only a KSATRIA of super quality. Meanwhile KUNTI and PANDAWA had decided to join the contest, with the purpose to get a wife for the eldest son, PUNTADEWA or YUDISTIRA. PANDAWA should be represented by BIMA, as BIMA was already married man, if he could be a winner, DRUPADI was for PUNTADEWA.

After no KSATRIA could defeat GANDAMANA, PANDAWAS proposal was accepted. GANDAMANA, a KSATRIA who had the highest DARMA teachings, knew that his lifetime was numbered. He should return to eternity, to the holiest place where he came from. He knew that BIMA should be his cause of death, he was happy and not afraid. Only moments before the battle between two big strong heroes, GANDAMANA purified himself. Not known by anyone, he gave his magical spell to BIMA. After a heroic battle, GANDAMANA defeated and dead.

DRUPADI became the wife of PUNTADEWA. Latter on, DRUPADI's adroit younger sister, SRIKANDI fell in love with her own GURU in archery - ARJUNA, and became his wife.



The KINGDOM of AMARTA

The news of the success of PANDAWA in CEMPALA and that they were still alive broke out and reached HASTINAPURA. Their appearance in CEMPALA has denied previous news that PANDAWA had died one year ago in BALAI SIGALA-GALA. King DRUPADA asked PANDAWA and their family to stay in CEMPALA as long as they like. He could not trust DESTARATA and KAURAWA.

Meanwhile in the court meeting in HASTINAPURA, King DESTARATA pressured by BISMA and WIDURA, was compelled to call back PANDAWA to live in HASTINAPURA again.

In other court session, DESTARATA and his advisors, had decided that PANDAWA should be given a half territory of the country. This just and wise decision was taken, to prevent further conflicts between the cousins - PANDAWA and KAURAWA.

DURYUDANA and his gang - SANGKUNI and KARNA, were not happy with this 'political move' but could do nothing at the moment.

Thus, PUNTADEWA was inaugurated as King YUDISTIRA of AMARTA or INDRAPRASTA. PANDAWA and their family lived in AMARTA and successfully built the country. They carried their family life, having wives, sons, and palaces. Some of them are well known in the WAYANG KULIT (leather puppet) story such as:

·         ANTAREJA, son of BIMA with an earth goddess.

·         GATOTKACA, another son with a giant woman.

·         ANTASENA, his son with a sea goddess - URANG AYU.

BIMA's palace was JODYPATI and GATOTKACA's was PRINGGODANI.

ARJUNA he had several wives;

·         DEWIRETNA, the mother of WISANGGENI.

·         PALUPI, the mother of BAMBANG IRAWAN.

·         SUBADRA, the mother of ONGKO WIJAYA or ABIMAYU. ABIMAYU's son with UTARI was PARIKESIT, the king of AMARTA and HASTINAPURA after the Great War of BHARATAYUDA.

ARJUNA also married SRIKANDI, a woman warrior. He also had goddess wife - DEWI SUPRABA, gift from god GURU. MADUKARA was the name of his palace.

ARJUNA was a very handsome ksatria adored by many beautiful women. So, at present in Indonesia, a man who has many affairs is called an ARJUNA or a girl sometimes calls her sweetheart as my ARJUNA.

The Kingdom of AMARTA had a good relation also with other kingdom such as DWARAWATI, with his divine king KRESNA. Some figures from DWARAWATI were; SETYAKI, the army chief, KRESNA's sons; SUTEJA and SAMBA. KRESNA's brother BALADEWA was the king of MADURA. The Kingdoms of CEMPALA and WIRATA were also faithful friends of AMARTA.

What happened with KAURAWA? DURYUDANA had two children; a boy LESMANA and a girl LESMANAWATI. The only girl of KAURAWA, DURSILAWATI married to JAYAJATRA. One of KAURAWA faithful friend was BURISRAWA.

RAJASUYA CEREMONY

It was the time for AMARTA to declare itself as a great kingdom - empire with YUDISTIRA as a great king as advised by KRESNA. The most important pre requisite of RAJASUYA was 'it must be attended at least by one hundred kings'.

There was another kingdom, MAGADA with its king JARASANDA also wishing to perform RAJASUYA. He had decided to celebrate it by force. He had captured around seventy kings from these neighboring countries, and had jailed them in MAGADA's prison.

PANDAWA's army attacked MAGADA, killed JARASANDA and liberated the seventy kings who were grateful to YUDISTIRA and KRESNA. At that victorious day, AMARTA kingdom celebrated RAJASUYA. At that ceremony, one of the guest kings, must be inaugurated as the most honorable guest. All of the attendance agreed that that this should be KRESNA.

Only a king, named SISUPALA was against. SISUPALA started to insult KRESNA. Although he owed his life to KRESNA but he always hated him. KRESNA had promised to SISUPALA's mother a long time ago that he would not hurt SISUPALA with an exception ' if KRESNA was insulted in front of one hundred persons then he should punish SISUPALA'. In that case in front of RAJASUYA, KRESNA had executed his right and SISUPALA died in the fight.

AMARTA had become an empire under the great king YUDISTIRA and recognized by more than one hundred kingdoms. The life in the empire was perfect.

PANDAWA LOST at GAMBLING

KAURAWA and their advisors did not stop thinking how to ruin PANDAWA. At last SANGKUNI found a way out to defeat PANDAWA without a war. It was a gambling at dice. SANGKUNI knew that YUDISTIRA was very found at dice gambling, YUDISTIRA was a good gambler, but did not master how to cheat with the dice.

In accordance with KSATRIA ethics, a KSATRIA would not reject an invitation to play a dice, that was the case with YUDISTIRA. He was invited, SANGKUNI the master gambler skillfully manipulated it. YUDISTIRA lost all bets, all his material wealth, his palace, his country, PANDAWA, and his wife DRUPADI. DRUPADI was humiliated by DURSASANA.

Under the pressure of DESTARATA's advisors, result of the gambling revoked. The decision changed 'PANDAWA had to live in the jungle for twelve years. In the 13th year they were permitted to live in any country in disguise. If they were found and recognized by other people, PANDAWA had to go back to the jungle for another twelve years.

So, PANDAWA and DRUPADI went to exile. Facing a very hard life in the jungle, BIMA protested to his elder brother, YUDISTIRA. He saw by his own eyes and sure that YUDISTIRA saw too that DURYUDANA by the help of SANGKUNI had cheated. In that case the result must not be accepted. BIMA did not understand why YUDISTIRA who saw the dirty dishonest trick during the gambling did not protest them.

YUDISTIRA replied firmly that as a KSATRIA holding highly the value of DARMA, he would not disgrace DURYUDANA in front of many people, especially DURYUDANA who was a nobleman of HASTINAPURA. Moreover, since that time, they had to carry out the promise before the gambling that the looser had to go in exile for twelve years.

LIFE in the JUNGLE

PANDAWA could adopt the life in the jungle, they live very modestly. Suffering had made their spiritual life calmer, and their minds became clear. Some people joined or lived near by them to live as ascetics.

BEGAWAN ABIYOSO, their grand father and guru came to visit. He told them that fate was unavoidable as he predicted during RAJASUYA. Many kings, warriors, families and enemies should die in the coming big war, PANDAWA should suffer physically for fourteen years. He told them to be brave and must past this up grading course in life and then happiness would come.

'PASOPATI' ARJUNA's HEIRLOOM

ARJUNA went to mountain INDRAKILA, live as a hermit. He meditated requesting justice so that PANDAWA could receive back their legal country. The experience of ARJUNA in this meditation was a very famous plot in leather puppet, it takes the whole night to perform this plot, and the story of this plot is named 'BEGAWAN CIPTONING MINTOROGO'.

This request was accepted by BATARA GURU, he was given a supernaturally powerful (SAKTI) heirloom (PUSAKA) in the form of a bow and arrow called PASOPATI, which could be effectively used by ARJUNA in the war of BHARATAYUDA.

VISIT of KRESNA

KRESNA together with his brother BALADEWA and his chief warrior SETYAKI visited PANDAWA in the jungle. SETYAKI, seeing the miserable life at PANDAWA had asked KRESNA, whether PANDAWA should have to wait for another twelve years to return to AMARTA. Why they did not attack KAURAWA right now with to help of many friends.

KRESNA replied was NO. PANDAWA had to keep the promise even it was a bad one. PANDAWA must have patience and learn to overcome obstacles in life by conducting the good and right deeds permitted by God Almighty.

When the time had come and KAURAWA did not keep the promise, then PANDAWA had the right to take whatever action against KAURAWA, to declare war if necessary. KRESNA and YUDISTIRA were in the same opinion that truth is above power and prosperity.

WIRATA was chosen as a place to hide because this kingdom had not a good relation with HASTINAPURA. They got job as servants in the palace. YUDISTIRA was a servant of the king, DRUPADI served the queen. BIMA was a cook ARJUNA was a dance teacher, NAKULA took care of horses, while SADEWA took care of cows.

Months had passed, the intelligent units of KAURAWA spreading to a lot of countries could not find the whereabouts of PANDAWA. In the eleventh month, an accident occurred. The WIRATA's chief warrior found dead after trying to rape DRUPADI. Rumors spread that a giant, husband of the queen servant killed him. KAURAWA suspected that the killer must be BIMA, then KAURAWA decided to attack WIRATA.

Led by DURYUDANA, flanked by BISMA, DURNA, KARNA and SANGKUNI the attack began. WIRATA's troop led by crown prince UTORO. At first UTORO hesitated and then ARJUNA who became his coachman encouraged him not to be afraid. PANDAWA now became very skillful at battlefield defeated KAURAWA in a short time. DURYUDANA said that PANDAWA had to return to a jungle for another twelve years, because they have been discovered before 13th year had passed. BISMA explained that the last day was one day before KAURAWA attacked WIRATA, then he advised DURYUDANA that in order to have a good relation with PANDAWA again, AMARTA must be given back to PANDAWA.

DURYUDANA categorically refused BISMA's advice and firmly said that not even a piece of land should be returned to PANDAWA at whatever risk. KAURAWA prepared for war.

KRESNA the AMBASSADOR

KRESNA, the wise king, was sent to HASTINAPURA by PANDAWA to negotiate a peaceful return of AMARTA to PANDAWA (in Javanese KRESNA DUTA). DURYUDANA, advised strongly by SANGKUNI, KARNA, JAYAJATRA and BURISRAWA was against the proposal by other advisors such as BISMA, WIDURA, KRIPA, DURNA and even his own father DESTARATA, that DURYUDANA should keep the promise gentlemanly after PANDAWA had left the country for thirteen years. DURYUDANA said proudly that as a king he had a full right to rule the country as he wished. He did not need to follow what the good books said.

BISMA said if the war broke, KAURAWA was much less powerful than PANDAWA, KAURAWA should be defeated. The KSATRIAS from PANDAWA were so SAKTI (have powerful supernatural power) and their PUSAKA (heirlooms) were also SAKTI, so there was no chance for KAURAWA to win the war. Moreover many of them or even all would die. DURYUDANA said that he was not afraid to confront PANDAWA. DESTARATA intercepted nicely, "My sons, please don't be greedy, having a half of this country is enough for you and the whole family, we shall live peacefully !".

But DURYUDANA totally dominated by evil spirit, did not want to give back AMARTA to the right owner, he could not see his own cousin PANDAWA to live as happy as KAURAWA. He just would not accept any advice from guru, begawan and even god, that a total war with PANDAWA, all KAURAWA would be dead. He and his friends started to insult KRESNA. And KRESNA upon witnessing the worst mental attitude of KAURAWA, people with no honor, went out side the courtroom, tried to oppress his anger. Spontaneously his magic power spell - TRIWIKRAMA appeared, KRESNA turned out to be a huge giant, with thunderous voice shouted, " The truth should prevail. KAURAWA, all of you shall be eliminated in BHARATAYUDA".

Upon hearing this TRIWIKARMA's voice, KAURAWA and all the audience were trembling afraid, also DURYUDANA. DESTARATA tried to apologize for what his evil son DURYUDANA had done, begged him not to execute the will of TRIWIKRAMA. KRESNA answered, "That is God punishment, it shall happened". KRESNA returned to the base camp of PANDAWA to report.

DEWI KUNTI and KARNA - The Mother and Son

When both sides were preparing for the war a mother was worried for the destiny of one of her sons, her eldest son. Viceroy KARNA of AWANGGA, was a chief warrior of KAURAWA, going to fight his own brothers - PANDAWA in 'alive or die' battle. She confessed her mistake by not telling KARNA and PANDAWA that they were brothers - her sons. The mother DEWI KUNTI was same as any mother in earth, could not see her own sons going to kill each other. Secretly and decisively he went to see KARNA in his residence.

The viceroy was amazed by her visit, then asked her, "What could a son of coachman do for you, queen KUNTI, the mother of the noble PANDAWA ?".

"You are not a son of a coachman, ADIRATA is not your father, your father is God SURYA and your mother is me, KUNTI, who is also the mother of PANDAWA, your own brothers", KUNTI said.

Then KUNTI told KARNA the real story. She begged KARNA, in this very critical moment, it was right to leave the bad character of KAURAWA and joined his brothers - PANDAWA who were on the right side.

KUNTI continued, "By joining your brothers PANDAWA, all of you should be a powerful force able to eliminate whatever evil in the world. Please KARNA, my son, or SURYAPUTRA (son of God SURYA), do it as a reflection of your mother's love!".

KARNA the brave warrior was shocked to hear this sudden evidence, his senses told him that what KUNTI said was true and he could feel also the approval of God SURYA. After having composed of himself KARNA replied sadly, "What you have asked me, dear mother, is against KSATRIA's character. What you have done to me since I was born had robbed my right of a mother's love. I have eaten the rice of KAURAWA and I have been given position, luxurious life and trusted by them. I have also advised them to go in war, and now all of a sudden, I join PANDAWA. What will people think of me? I have betrayed my trust, I am a traitor!". Trying not to be emotional he further said, "In respect of your order to me, dear mother, I will not do any harm to PANDAWA in the war, no matter what they are going to do to me. I will not kill them, except to ARJUNA. So PANDAWA will remain five persons, the fifth is either ARJUNA or me. Please apologize me!".

DEWI KUNTI could say nothing, then she left after giving him a big hug. She asked to herself, "Who could avoid the fate of life?". She hoped God should bless him.

THE BATTLE IN KURUSETRA

RESI BISMA - The GREAT FIGHTER

On the first day of BHARATAYUDA JAYABIMANGUN, RESI BISMA was appointed by KAURAWA as their commander in chief (SENAPATI), PANDAWA entrusted this duty to DRESTAJUMENA, elder brother of DRUPADI and SRIKANDI. BISMA the grand father of PANDAWA and KAURAWA proudly accepted the position of SENAPATI saying that as a KSATRIA, he should prefer to die in the battlefield than lying in bed with sickness.

Minutes before the war started, YUDISTIRA went to his grand father BISMA alone, kneeling to great him and said, "I apologize that today I have to fight you in this unavoidable war. But I would like to let you know that the big family of PANDAWA love and respect you sincerely. I would like to ask your blessing in this holy war".

The great BISMA almost cried, touching lightly YUDISTIRA head and replied, "Deep in my heart, I always love you PANDAWA and KAURAWA, I am sorry that I have failed to prevent this war and worse I am compelled to join the opposite side due to my commitments to DESTARATA. I don't hesitate that you are on the right side. Fight as a true KSATRIA and you would win. May God bless you".

Then YUDISTIRA did the same thing by visiting KRIPA and SALYA.

The war began, BISMA fought as a lion, and the other warriors from both side too. In the first day, from PANDAWA side UTORO and SETO of WIRATA were killed. DURYUDANA was happy.

In the third day, after evaluating the situation, with many victims on PANDAWA force, KRESNA advised that BISMA had to be killed right away. ARJUNA was hesitating, how could he killed his own family, guru, in the battle. Should it be better if PANDAWA gave up their demand?

The wise KRESNA advised ARJUNA on morality, ethics of KSATRIA, KARMA, DARMA, etc, among other he said, "Born as KSATRIA, you must be ready at anytime to live and to die on a tip of a weapon. Holy duty of KSATRIA is to serve the country by deflating enemies in the war to win the truth". The advice of KRESNA to ARJUNA during BHARATAYUDA was called BAGAWADGITA.

PANDAWA's forces in the meeting had decided SRIKANDI to lead PANDAWA's army's against BISMA. BISMA upon seeing SRIKANDI tried to avoid her. He knew that his death should be in the hand of a tomboy woman. Although he already knew that, his lifetime was numbered, he fought bravely. Many arrows shot by SRIKANDI, helped by ARJUNA penetrated his old body, finally he felt down (the name of SRIKANDI is very famous in Indonesia. Nowadays, many careers woman in Indonesia with respect are called SRIKANDI INDONESIA).

BISMA dying surrounded by PANDAWA and KAURAWA, he told DURYUDANA, "You are the one who could stop this war. Don't be greedy to your own cousins PANDAWA. As for my self I am dying in piece, I have paid my debts to KAURAWA".

DURYUDANA refused to stop the war, and accused him that BISMA had always on the side of PANDAWA. Then BISMA said to KARNA nicely, "I knew your secret, BATARA (god) NARADA told me that you are the son of BATARA SURYA with DEWI KUNTI, you should take the side of your younger brothers PANDAWA, the real KSATRIAS, fighting for the truth".

KARNA knelt to him respectfully replied, " My respected grand father, with all my love to you, I have to join KAURAWA, who have take good care of me for the whole life. This is the ethic of KSATRIA, I'll sacrifice my life to pay my debts".

BISMA whispered slowly, "it is your determination, that is the best way". BISMA death mourned deeply by all fighters.

Meanwhile many KAURAWA's brothers had died in the hand of BIMA. PANDAWA had also paid dearly - BAMBANG IRAWAN, a son of ARJUNA died in the heroic battle.

KAURAWA had a new commander in chief, Guru (teacher) DURNA, master of war strategy and skillful fighter. In the thirteenth day, ONGKO WIJAYA or ABIMAYU got killed very cruelly. He was tortured heavily in an uneven battle, beaten by DURNA, ASWATAMA, SENGKUNI, DURSASANA, after being trapped by JAYADRATA. PANDAWA was in mourning, especially ARJUNA, the father of ONGKO WIJAYA.

In this sudden moment, came their grand father - ABIYOSO, he told them no need to grieve too deeply, they had to remember the natural law of life and death.

The DEATH of JAYADRATA

In the following mourning, Arjuna vowed to kill JAYADRATA before sunset. BIMA in anger killed again several brothers of KAURAWA, GATOTKACA showing his ability to fly, hit to dead many enemies' soldiers. BURISRAWA, a strong KAURAWA's supporter was de-headed by SETYAKI's sword.

It was already afternoon, JAYADRATA was always staying far from ARJUNA. JAYADRATA was afraid to fight face to face with ARJUNA. KRESNA shot his mighty CAKRA (arrow with sharp disc head), it is the heirloom of BATARA WISHNU. The effect was surprising, clouds covered the sun. The fighters thought it was already sunset, the battle of today stopped and resumed again for tomorrow. JAYADRATA wanted to spot where was ARJUNA, lifted his head.

ARJUNA had prepared his powerful heirloom - PASOPATI, an arrow given to him from BATARA guru (ARJUNA had used PASOPATI to kill a powerful king giant NIWATA KAWACA, who attacked the kingdom of Heaven). The arrow hit JAYADRATA's neck, his head rolled in the earth and died.

GURU DURNA was KILLED in WAR

KRESNA the great advisor for PANDAWA knew that DURNA was not easy to be defeated, some tactics must be used to weak him. DURNA was a begawan (priest) but his love to his son ASWATAMA had made him taken a wrong decision to side with KAURAWA. KRESNA asked BIMA to kill KAURAWA's elephant by name ASWATAMA (the name was the same as DURNA's son), after that all the soldiers had to shout strongly and repeatedly, "ASWATAMA was dead!".

The thunderous yells were heard by DURNA, he was shocked whether it was true. He decided to ask a confirmation to YUDISTIRA, the man who never lied in his whole life. YUDISTIRA replied the confused DURNA softly, "Yes, ASWATAMA, the strong elephant is dead". The worried DURNA only heard the words 'ASWATAMA - dead'. He was totally demoralized, he could not imagine living without his beloved son ASWATAMA, the one he hoped to continue his aspirations of life. He could not concentrate in battle, as a result he was killed in the hands of DRESTAJUMENA.

GATOTKACA, SON of BIMA

GATOTKACA who had ability to fly was the air force of PANDAWA, his powerful magic blows had victimized a lot of KAURAWA fighters. He led an army of giant from his own kingdom - PRINGGODANI.

DURYUDANA was worried to see the storming attacks of GATOTKACA's army. He instructed KARNA to eliminate GATOTKACA immediately, otherwise more and more KARNA's soldiers should die within a short time.

KARNA at that time was busy to start a duel fight against ARJUNA. He was the only one in KAURAWA forces who had a heirloom arrow, which could kill ARJUNA. The heirloom's name was KUNTO WIJAYA DANU. KARNA heard a thunderous storm in the sky and a black cloud moving. He knew by instinct that it must be GATOTKACA in action. He shot his KUNTO to that cloud whilst going forward to face ARJUNA.

When baby GATOTKACA was born, his navel could not be cut with any knife. Upon advice from a wise man, the navel was cut by the casing of KUNTO arrow. But the KUNTO's casing penetrated inside his stomach permanently. The fate had predicted that when the arrow KUNTO returned to its casing then GATOTKACA should die. When GATOTKACA was a youngster, by accident he had killed his giant uncle, KALABENDANA. The spirit of KALABENDANA had been waiting to revenge. He knew the fate of GATOTKACA's death in BHARATAYUDA. The shot of KARNA in fact did not hit the target, the arrow KUNTO could not reach GATOTKACA who flied too high. In a very quick move, KALABENDANA's spirit took KUNTO and told him, " You have to return to your casing, I'll help you". So, with the help of KALABENDANA's spirit, KUNTO hit GATOTKACA. GATOTKACA's spirit together with KALABENDANA's went back happily to the eternity.

ADIPATI KARNA or SURYAPUTRA

He was a very powerful or SAKTI chief warrior, respected highly by friends and enemies. He had a very strong and high position in HASTINAPURA, fully trusted by DURYUDANA. He had no reason at all to complain in his life, he had everything a man should posses; wealth, power, pride, love of his family. Everything seemed to be perfect, if he was a son of coachman. But secret of his personality, which just had been uncovered, by his real mother DEWI KUNTI and BISMA, had moved his emotions.

In the eve of his first day as KAURAWA's commander in chief, ARJUNA secretly visited him. He had the most difficult moment in his life. ARJUNA was his ardent enemy, his competitor in archery, the man he hated most up to now, and at the same time was also his brother.

AJUNA suddenly stood in front of him, knelt and greeted him honestly with full of respect and said clearly, "Please accept my sincere respects and PANDAWA's respect to you. I come here to ask your apologies for all which had happened to Our mother, KUNTI send her love for you and also all PANDAWA love you, our eldest brother".

KARNA, upon seeing ARJUNA's attitude could say nothing, he was deeply moved. What he could do was just a slightly nod with tears hanging on his eyes. ARJUNA went on, his heart was beating, "Our brother, YUDISTIRA and all of us, have decided to listen to you as our eldest brother, we will obey your decisions. If we win this war you are the one who become the emperor of HASTINAPURA. We believe that from now on, you will be always with us, your own brothers".

Upon listening and feeling what his brother said, KARNA, the powerful ADIPATI - chief warrior could not overcome his emotions, trying to stop the bursting tears, he embraced ARJUNA firmly. Both of them, the mighty KSATRIAS, who did not recognized the word 'SURRENDER' in battlefields, in reality were only human beings, could only speak with emotion, showing deep love to each other. After a while, both of them were self-composed. KARNA tried to speak calmly, "ARJUNA, my dearest brother, deep in my heart, I love all of you - my PANDAWA brothers and I also do love our mother KUNTI. I am very grateful for your decisions, it's really the most respectable honor for me. I'm telling you that the mistake is mine, as I fight only for my own welfare and happiness and to defend my powerful position, full with material wealth, I have to take the wrong side in BHARATAYUDA. I admit that it's shameful for a KSATRIA", he paused and then continued. "I personally beg you to understand my position, please convey this massage to all my brothers. As for you, ARJUNA, tomorrow don't hesitate to face me in the battle, we'll fight as true KSATRIAS. I'm prepared to be killed to preserve my good name. Use all your skill, use all your power. May God bless you". Then they embraced again each other without a word and ARJUNA asked his permission to leave.

In the next morning, KARNA wore his white dress, impressive and charming. White dress means holy and in fact he was prepared to die. With his sharp authoritative voice, he commanded his troop to be in the formation and ready to attack. KARNA's coachman was KING SALYA.

On the other side, ARJUNA sit in his carriage coached by KING KRESNA. KARNA and ARJUNA looked very determent but their hearts were governed by emotions of family love. Should they continue? Coachmen, SALYA and KRESNA knew the feeling of KARNA and ARJUNA and advised them to behave as true warriors. The battles around them had started fiercely. KARNA had just shot his KUNTO arrow to GATOTKACA. His carriage was heading forward to face ARJUNA. They exchanged shootings of many arrows.

All of a sudden, KARNA's carriage was torm to pieces, hit by GATOTKACA's body falling from the sky. He was thrown away. With no carriage he met ARJUNA directly. He was aware that ARJUNA had several heirlooms, which should kill him. But he would be happy to be killed by a mighty, powerful KSATRIA -ARJUNA, his own brother. He was happy that his brothers would be glorious rulers in HASTINAPURA, not the mad DURYUDANA.

At that time, the heirloom arrow of ARJUNA - PASOPATI hit him, and KARNA felt down, killed heroically in the battle. His death was mourned deeply by KAURAWA and PANDAWA. Although KARNA had fought for KAURAWA but as the eldest brother of PANDAWA, PANDAWA family with full heroic ceremony held the incineration of his body.

KING SALYA, the SENOPATI of KAURAWA

King SALYA, in his heart he preferred to be with PANDAWA, but he was trapped by DURYUDANA in such a way so that he had to join KAURAWA. He fought with all his strength, he had a powerful spell (AJI) called 'CANDRA BIRAWA'.

When he spelled the mantra (AJI) a lot of giants came out from his ears, and killed a lot of PANDAWA's soldiers. PANDAWA forces were deteriorated. Again, the wise KRESNA knew his secret. The only man who could face him was YUDISTIRA, considered as the holiest man of all the people. He was honest, kind-hearted and never lied.

The CANDRA BIRAWA giants, would not attack if it was not attacked, they did only counter-attack. When SALYA spelled CANDRA BIRAWA, it was only one giant appeared, but if this giant was killed then he would became two life giants, two would became four and then sixteen, etc. They would multiply themselves to be hundreds and thousands of giants. The soldiers who were counter-attacked by CANDRA BIRAWA giants should be death definitely, their whole blood were sucked.

YUDISTIRA was a man who did not like to fight, he should meet SALYA but instructed by KRESNA not to attack the CANDRA BIRAWA giants. The giants were confused, they did not know what to do, in facing a passive man. The giants soon reduced their total numbers. From 1000 giants became 10 and then became 1, the original CANDRA BIRAWA giant.

The CANDRA BIRAWA went back into the ears of the owner. SALYA had to fight without the help of his spell, he was getting tired as he was an old man. When YUDISTIRA released his heirloom JAMUS KALIMOSODO, SALYA had not enough power to defend himself, he got killed right away.

The DEATH of DURYUDANA

After SALYA's death, there was no alternative for DURYUDANA to lead the KAURAWA himself. He was alone now, all his loyal friends and warriors had been killed. He was rather dying himself than suffering to live together with PANDAWA. He ran to nearby river but chased by BIMA, then fought by using big GADA (bludgeons). Each fighter, full with anger and hatred, wanted to kill his enemy as quickly as possible. DURYUDANA did not surrender easily, although he had no hope for the future anymore. KRESNA showed the weakness point of DURYUDANA and told BIMA what to do. BIMA hit DURYUANA's thigh with his big GADA RUJAKPALA. DURYUDANA collapsed and could not move anymore. He was dead in agony. The evil king or the king of evil at last died.

BHARATAYUDA was over now, the good and the truth had defeated the evil, the greediness. The price of this glorious day was too heavy for PANDAWA, in HASTINAPURA lived a lot of widows and orphans.

In the night after the war was considered over, The son of DURNA - ASWATAMA, together with KRIPA and KARTAMARMA, treacherously slip into PANDAW's camp. Then killed some PANDAWA's family and then burned the camp and ran away hiding in the forest. DRUPADI saw who had done dishonest killing. The following morning, they were captured by PANDAWA and eliminated.

YUDISTIRA, EMPEROR of HASTINAPURA

There were no more obstacles for YUDISTIRA to govern the country wisely. HASTINAPURA was a prosperous and peaceful country, respected highly by its neighbors and maintained good relation with other countries.

DESTARATA and GENDARI, the parent of KAURAWA, lived together with KUNTI, the mother of PANDAWA. They were treated honorably by PANDAWA and always been respected as their own parents. All the PANDAWA's sons were dead in BHARATAYUDA, to some extent, the death of all PANDAWA's son was ARJUNA's mistake. He had successfully helped God GURU by killing a giant king NIWATAKAWACA who menaced to ruin SURALAYA, the God palace. God NARADA, in the name of God Guru, had given him a Goddess - SUPRABA to marry, besides he was promised by NARADA that BATARA GURU should grant him whatever a request he made. ARJUNA, accompanied by SEMAR, spontaneously replied, he wished that after the BHARATAYUDA all PANDAWA remained alive. This request was agreed by NARADA.

SEMAR was shocked to hear the conversation. He told ARJUNA that when a man asking something from God, it should be clearly and precisely. In that case ARJUNA should ask for the life of PANDAWA and their children, not only for PANDAWA. But the deal was done, the fate should prove.

Luckily PANDAWA had one descendant, the grand child of ARJUNA, PARIKESIT, the son of the late ABIMAYU and UTARI. PARIKESIT was the crown prince of HASTINAPURA.

DESTARATA and GENDARI after living honorably with PANDAWA for several years, decided to live as hermits in a lovely place to donate the rest of their life for SAMADI (meditation), DEWI KUNTI as sign of solidarity joined them. PANDAWA in tears respected this decision as it was in accordance with the teaching of DARMA.

PARIKESIT, the NEW EMPEROR of HASTINAPURA

After almost three decades in power, in the situation of relatively - peaceful and prosperous, PANDAWA decide to resign from public life. The crown prince PARIKESIT had been educated properly with PANDAWA themselves as his teachers, considered mature enough to rule the country. Also the younger generation, as a result of a wise and proper training was ready to live in harmony.

The PANDAWA's generation, their loyal and respected friends like KRESNA and his families had already passed away. So, it was the time also for PANDAWA to leave all matters related with life in the world.

PARIKESIT had received all the knowledge previously mastered by PANDAWA. In short, he knew and should practice the three DARMA, consist of :


1.    DARMANING PENDITO UTOMO
   
Darma    :    a good teaching or way of life
Pendito    :    a priest, a saint, dedicated his entire life to God Almighty, for
a perfect an correct behavior and action
Utomo    :    a perfect and correct behavior and action; a first class quality.
Meaning    :    he had to think and do as a good PENDITO.


2.    DARMANING RATU GUNG BINATORO
   
Ratu    :    King or queen
Gung    :    From AGUNG -great
BINATORO    :    From BATORO -God, a very honorable god's behavior.
Meaning    :    He had to think, consider and do like a great respected king.
Must be just and wise.


3.    DARMANING SATRIO WIROTOMO
   
Satrio    :    a title of nobility: knight, in ordinary life: gentleman. Satrio is
always considered of a man with noble quality, well educated,
having good conduct and behavior.
Wiro    :    dare, not afraid.
Meaning    :    He had to think and act using his brains. He must be polite and
knew what's right and wrong. He must work hard and always
ready to defend the truth, combating the evil at whatever cost.

In Javanese life, the position of PENDITO (begawan, resi, priest, saint) and RATU (king or queen and all noble family) are considered very respected, even close to divine quality. So, all their words and deeds are considered right. They are called the PANUTAN, the one that should be followed and obeyed. A Javanese proverb says:
SABDO PENDITO RATU means that everyone who has said or promised something must fulfill or honor it.

Nowadays, a real leader, must posses the three DARMA, following the example of the WAYANG KULIT philosophy. PARIKESIT was inaugurated as the new Emperor to continue the ruling of PANDAWA dynasty, guided by the holy principles of three DARMA.

PANDAWA RETURN to WHERE THEY CAME FROM

PANDAWA together with DRUPADI having satisfied with their life in earth, voluntarily and consciously left the palace compound. Walking to purify their souls they went to mount MAHAMERU (SEMERU). The top of this mountain was considered sacred, a place next to heaven where holy Gods live. That was an episode full with spiritual teaching. PANDAWA they were five - YUDISTIRA, BIMA, ARJUNA, NAKULA and SADEWA, but in fact symbolizing the life of a person with the five senses, DRUPADI symbolizing the real feeling of a man.

In their existence of life, PANDAWA had always together, they could not be separated one by the others, in good or in bad situation. If one of them was separated, PANDAWA's should not be in balance. This reflects the life of a person as a whole. In this journey to eternity, one by one of them felt down and disappeared.

At first, DRUPADI, symbols of human life and feeling, the latest was YUDISTIRA or PUNTADEWA or DARMAKUSUMA, the holder of the kingdom (of life), the leader of the other four brothers (four senses). He was seriously (SUSETYO) leading the others four.

The second was BIMA, who strongly and determinedly (SANTOSA) protecting PANDAWA. The third was ARJUNA, who was alert to keep the truth (BENER). The fourth was NAKULA, who was clever and skillful. No goal could be reached without a skill (PINTER). And the fifth was SADEWA, who always accomplished everything with the principle at high morality (SUSILA & TATAKRAMA). A human being has to pass the above symbols in his life on this earth. In short he must have a holy heart, doing right & correct things, patient, polite, love others, never hurt others, so that he live safely. In order to reach the condition of holiness, in preparation to be the united again with his holy origin (from where he came from before his birth). Sometimes a man needs to be in solitude, where he should practice self-denial, with limited food, sleep, sex and should not speak over the bad conducts of other people and should not torture animals.. That kind situation should enlighten him to kill all of desires of five senses and oppress his lust. He should be able more easily to concentrate in SAMADI (meditation).

To achieve this holy goal, the soul purity, the meditator has to kill all the desires of lucrative food and material wealth as well as bad or wrong or sinful hearth's wishes.

PANDAWA had solemnly do that to achieve pure reflection or reality of holy life. In the gate of heaven, God INDRA, the ruler of heaven and God, YAMADIPATI, who was authorized to snatch human soul from his body, stopped PUNTODEWO. They forbid PUNTODEWO to enter the heaven by bringing his ugly dog. If he insisted to bring it then he would enter the hell. PUNTODEWO was firm, he would not leave his dog, the ugly dirty creature, as his dog was loyal till the end. Suddenly the dog vanished and turned out to be god DARMA, his own spiritual father, who would like to test PUNTODEWO.

After passing the gate, PUNTODEWO was in the dark place, uncomfortable and sting, joining his PANDAWA families. From that place, he could see the KAURAWA lived in the beautiful palace, surrounded with a garden full of flowers and birds. They were eating, drinking, talking with a big smile. He was surprised and shocked how could it happen with him and his family. After several days, he was approached by Gods and Goddesses that he would be transferred to live in heaven by joining KAURAWA, living the other PANDAWA and family behind. He rejected the offer completely.

At last PUNTODEWO had passed the whole test, and he and other PANDAWA and family all of a sudden saw light and lived in heaven like they deserved. PANDAWA was thrown to the darkness of hell before living in a bright heaven, It was meant to give a lesson to human beings that he or she should suffer before enjoying a good life.

Heaven is the holiest place, which only the creator - God Almighty could give permission to live in, is a place preserved for holy souls of good people. The basic philosophy of PANDAWA's journey life is :

SANGKAN PARANING DUMADI
Sangkan    :    the origin where it comes from
Paran        :    the destination where it goes
Dumadi      :    Human being

Credit Photo : www.wayangprabu.com


 
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